Technology that
disappears into the visit.

The concept should explain the form. Every screen, sound and interaction we build exists to carry the exhibition's idea, never to perform beside it.

What we believe

Most museum technology fails quietly: a frozen screen nobody restarts, a speaker that died in week two, a "coming soon" that never comes. The visitor doesn't file a complaint. They just stop trusting the room. So we optimise for the thing nobody sees: the ten-thousandth visitor's experience being identical to the first's.

How we are different

• Offline is the architecture, not a fallback. Galleries lose internet, or never had it. Our apps ship with everything embedded and treat the network as a stranger.
• Testing is adversarial. We plant deliberate failures to prove our checks can say no. A test that cannot fail is decoration.
• Bilingual by construction. Hindi is not a translation pass at the end; both languages are first-class from the first commit.
• We stay after opening day. Install, hardening, monitoring and honest reporting are part of the work, not an upsell.

Where we work

Based in New Delhi, registered in Ajmer, Rajasthan, and built around India's cultural sector: ministries, foundations, private museums and the studios that design for them. Our engineering sits comfortably beside curators and exhibition designers. We speak both languages.

The name

Yes, red bananas are real: rarer, tougher-skinned and sweeter than the yellow kind. It fit.